Guided by expert printmaker Carol Wilhide-Justin you will learn how to translate your ideas into the graphic formats of woodcut and linocut. This course is a perfect introduction to relief printing and is open to all, from complete beginners to those with more experience.   To add a seasonal touch to the experience students may decide to print cards rather than paper prints. Either way we hope you will enjoy the opportunity to develop or learn new skills and potentially create gifts for Christmas. The studio is a low-­toxic environment with dedicated printmaking facilities for professional hands‐on learning. Students benefit from the diversity of attendees, taught by internationally renowned printmaking artists at a central location, offering a unique educational experience in London. There is a maximum of ten students per course, materials are included and we advise that you book early to avoid disappointment.

This 2-day weekend course is suitable for relative beginners but will also benefit those who have attended previous collagraph courses. Collagraph relies on texture to build up plates that can be printed both in intaglio or relief and as a multi-plate print. Guided by Katherine Jones, a renowned British printmaker, you will expand your knowledge to realise a truly accessible and exciting new way of printmaking. The Art Academy’s printmaking studio is a low-toxic environment with dedicated facilities for professional hands-on learning. Students benefit from the diversity of attendees, taught by internationally renowned printmaker artists at a central location, offering a unique educational experience in London. There is a maximum of eight to ten students per course, materials are included and we advise that you book early to avoid disappointment.

Explore a more painterly side of etching. Students will depart from tradition to develop a series of different metal plates etched in contemporary mordants such as ferric chloride and saline sulphate by experimenting with the alchemy of the intaglio process; brushing, splashing, dripping, blowing and smudging to produce fascinating and unique prints. Attendees will be introduced to a variety of novel techniques including a permeable soap ground and a painterly aquatint based on photocopier toner. The course will be guided by one-to-one tuition from Frederic Morris. The Art Academy’s printmaking studio is a low-toxic environment with dedicated facilities for professional hands-on learning. Students benefit from the diversity of attendees, taught by internationally renowned printmaker artists at a central location, offering a unique educational experience in London. There is a maximum of eight to ten students per course, materials are included and we advise that you book early to avoid disappointment.

Japanese Woodcut or Mokuhanga is a relief process that is completely non-toxic in that it uses watercolour pigments and nori (rice starch) instead of oil-based ink. The prints are handprinted using a baren, no presses are necessary making this a process that can be done at home. The workshop explores the history of the traditional Japanese prints as exemplified by Hokusai and Hiroshige and follows the teaching that the tutor Carol Wilhide Justin herself received from Japanese sensei on her residency in Japan.

This course is suitable for beginners or those with printmaking experience. Nick Morley (aka “Linocut boy”) specialises in hand carved linocuts. Students will learn to use professional Swiss tools and apply different printing techniques to create a range of effects. Nick will lead the group through the planning, carving and printing stages of multiplate printing.

This is a fun day-long taster course in monoprint for those who may be considering a longer evening or daytime course and are wondering how much they will enjoy it. Students will be introduced to various monoprint tools and methods.  The course fee covers all materials needed.

This popular course is ideal for beginners, repeat attendees or visitors to London, offering an in­-depth introduction to printmaking. You will develop two print editions in one weekend. Working in both relief and intaglio, you will create a series of multi­coloured reduction relief prints on linoleum with Japanese woodcut tools and a second series of hard ground black and white line etchings on zinc using a saline sulphate mordant. There is a maximum of ten students per course guided by one to one tutoring from experienced printmaker Carol Wilhide-Justin. The Printmaking Taster Weekend can be followed up by evening or weekend courses specialising in either relief or etching. Open Access runs on Wednesday evenings and Saturday during the day, giving you the opportunity to further develop your printmaking skills.

This is a fun day-long taster course in monoprint for those who may be considering a longer evening or daytime course and are wondering how much they will enjoy it. Students will be introduced to various monoprint tools and methods.  The course fee covers all materials needed.