This 2-day weekend course is suitable for relative beginners but will also benefit those who have attended previous collagraph courses. Collagraph relies on texture to build up plates that can be printed both in intaglio or relief and as a multi-plate print. Guided by Katherine Jones, a renowned British printmaker, you will expand your knowledge to realise a truly accessible and exciting new way of printmaking. The Art Academy’s printmaking studio is a low-toxic environment with dedicated facilities for professional hands-on learning. Students benefit from the diversity of attendees, taught by internationally renowned printmaker artists at a central location, offering a unique educational experience in London. There is a maximum of eight to ten students per course, materials are included and we advise that you book early to avoid disappointment.

Explore a more painterly side of etching. Students will depart from tradition to develop a series of different metal plates etched in contemporary mordants such as ferric chloride and saline sulphate by experimenting with the alchemy of the intaglio process; brushing, splashing, dripping, blowing and smudging to produce fascinating and unique prints. Attendees will be introduced to a variety of novel techniques including a permeable soap ground and a painterly aquatint based on photocopier toner. The course will be guided by one-to-one tuition from Frederic Morris. The Art Academy’s printmaking studio is a low-toxic environment with dedicated facilities for professional hands-on learning. Students benefit from the diversity of attendees, taught by internationally renowned printmaker artists at a central location, offering a unique educational experience in London. There is a maximum of eight to ten students per course, materials are included and we advise that you book early to avoid disappointment.

Japanese Woodcut or Mokuhanga is a relief process that is completely non-toxic in that it uses watercolour pigments and nori (rice starch) instead of oil-based ink. The prints are handprinted using a baren, no presses are necessary making this a process that can be done at home. The workshop explores the history of the traditional Japanese prints as exemplified by Hokusai and Hiroshige and follows the teaching that the tutor Carol Wilhide Justin herself received from Japanese sensei on her residency in Japan.