First introduced in Italy during the Renaissance, chiaroscuro printing is a technique devised to create the illusion of depth through tonal contrasts. The name chiaroscuro means literally ‘light’ and ‘shade’. During this two day course you will learn about the history of this technique, design your own image and make a 3 colour tonal reduction woodcut print. This course is suitable for beginners and those with some printmaking experience. There is a maximum of eight students per course guided by one to one tutoring from experienced printmaker Carol Wilhide-Justin who is a graduate of the RCA. After completing the course you can join our print studio's Open Access which runs on Wednesday evenings and Saturday during the day, giving you the opportunity to further develop your printmaking skills.

This 2-day weekend course is suitable for relative beginners but will also benefit those who have attended previous collagraph courses. Collagraph relies on texture to build up plates that can be printed both in intaglio or relief and as a multi-plate print. Guided by Katherine Jones, a renowned British printmaker, you will expand your knowledge to realise a truly accessible and exciting new way of printmaking. The Art Academy’s printmaking studio is a low-toxic environment with dedicated facilities for professional hands-on learning. Students benefit from the diversity of attendees, taught by internationally renowned printmaker artists at a central location, offering a unique educational experience in London. There is a maximum of eight to ten students per course, materials are included and we advise that you book early to avoid disappointment.

This course will cover the techniques for making and printing varied edition drypoint prints on a variety of delicate Japanese papers, like mulberry and gampi tissue. Prints made on Japanese paper have an ethereal, translucent quality unlike prints made on heavier papers and can be layered, made into books and Chine-colléd onto western papers for more traditional prints. \n\nYou will work on aluminium plates; aluminium is a soft metal, which allows for a wide range of beautiful mark making and tonal wiping techniques. Drypoint is a drawing-based printmaking technique, so you are encouraged to bring sketchbooks and pre-prepared drawings and images to the first day of this course. This course is suitable for students of all levels of experience and skill. You will work on aluminium plates; aluminium is a soft metal, which allows for a wide range of beautiful mark making and tonal wiping techniques. Drypoint is a drawing-based printmaking technique, so you are encouraged to bring sketchbooks and pre-prepared drawings and images to the first day of this course. This course is suitable for students of all levels of experience and skill.

Explore a more painterly side of etching. Students will depart from tradition to develop a series of different metal plates etched in contemporary mordants such as ferric chloride and saline sulphate by experimenting with the alchemy of the intaglio process; brushing, splashing, dripping, blowing and smudging to produce fascinating and unique prints. Attendees will be introduced to a variety of novel techniques including a permeable soap ground and a painterly aquatint based on photocopier toner. The course will be guided by one-to-one tuition from Frederic Morris. The Art Academy’s printmaking studio is a low-toxic environment with dedicated facilities for professional hands-on learning. Students benefit from the diversity of attendees, taught by internationally renowned printmaker artists at a central location, offering a unique educational experience in London. There is a maximum of eight to ten students per course, materials are included and we advise that you book early to avoid disappointment.

Japanese Woodcut or Mokuhanga is a relief process that is completely non-toxic in that it uses watercolour pigments and nori (rice starch) instead of oil-based ink. The prints are handprinted using a baren, no presses are necessary making this a process that can be done at home. The workshop explores the history of the traditional Japanese prints as exemplified by Hokusai and Hiroshige and follows the teaching that the tutor Carol Wilhide Justin herself received from Japanese sensei on her residency in Japan.

Japanese Woodcut or Mokuhanga is a relief process that is completely non-toxic in that it uses watercolour pigments and nori (rice starch) instead of oil-based ink. The prints are handprinted using a baren, no presses are necessary making this a process that can be done at home. The workshop explores the history of the traditional Japanese prints as exemplified by Hokusai and Hiroshige and follows the teaching that the tutor Carol Wilhide Justin herself received from Japanese sensei on her residency in Japan.

Japanese Woodcut or Mokuhanga is a relief process that is completely non-toxic in that it uses watercolour pigments and nori (rice starch) instead of oil-based ink. The prints are handprinted using a baren, no presses are necessary making this a process that can be done at home. The workshop explores the history of the traditional Japanese prints as exemplified by Hokusai and Hiroshige and follows the teaching that the tutor Carol Wilhide Justin herself received from Japanese sensei on her residency in Japan.

This course is ideal for attendees keen to further develop their relief printmaking skills. It teaches a more gestural approach to lino, combining the classical skill of carving a lino block with a contemporary approach to etching its surface with caustic soda. Bringing together painterly textures and graphic forms in a colourful multi-block print. The weekend course is a unique opportunity for a maximum of eight attendees, guided by one to one tutoring from Steve Edwards, a renowned British Printmaker. We advise that you book early to avoid disappointment.

This course is suitable for beginners or those with printmaking experience. Nick Morley (aka “Linocut boy”) specialises in hand carved linocuts. Students will learn to use professional Swiss tools and apply different printing techniques to create a range of effects. Nick will lead the group through the planning, carving and printing stages of multiplate printing.

This is a fun day-long taster course in monoprint for those who may be considering a longer evening or daytime course and are wondering how much they will enjoy it. Students will be introduced to various monoprint tools and methods.  The course fee covers all materials needed.

This is a fun day-long taster course in monoprint for those who may be considering a longer evening or daytime course and are wondering how much they will enjoy it. Students will be introduced to various monoprint tools and methods.  The course fee covers all materials needed.

This popular course is ideal for beginners, repeat attendees or visitors to London, offering an in­-depth introduction to printmaking. You will develop two print editions in one weekend. Working in both relief and intaglio, you will create a series of multi­coloured reduction relief prints on linoleum with Japanese woodcut tools and a second series of hard ground black and white line etchings on zinc using a saline sulphate mordant. There is a maximum of ten students per course guided by one to one tutoring from experienced printmaker Carol Wilhide-Justin. The Printmaking Taster Weekend can be followed up by evening or weekend courses specialising in either relief or etching. Open Access runs on Wednesday evenings and Saturday during the day, giving you the opportunity to further develop your printmaking skills.

This is a fun day-long taster course in monoprint for those who may be considering a longer evening or daytime course and are wondering how much they will enjoy it. Students will be introduced to various monoprint tools and methods.  The course fee covers all materials needed.

This is a fun day-long taster course in monoprint for those who may be considering a longer evening or daytime course and are wondering how much they will enjoy it. Students will be introduced to various monoprint tools and methods.  The course fee covers all materials needed.